The Icario Art Project


WINE & ART

 

The Icario Art Project was designed to transform the entire estate into a cultural space, both indoors and outdoors. Art is continuously integrated throughout the estate, not limited to specific areas, creating a unique blend of creativity and craftsmanship. From paintings and sculptures to wooden and mixied-material works, each piece interacts with the landscape. The result is a harmonious connection between the visual arts and the artistry of wine, offering visitors an immersive and inspiring experience.

FUSO

Herbert Mehler is the latest piece of art adorning Icario beautiful outdoors. Herbert Mehler is a German contemporary master of iron sculptures, born in 1949 in Steinau near Fulda, Germany. He learned the trade of his father, Franz Mehler, maestro of sculpture on wood, and attended the Academy of Fine Arts of Nuremberg where he received his diploma.  He currently lives and works between Riedenheim near Wurzburg and Kranidi in Greece.

He won many awards such as Nuremberg News Recognition Award, Art Award Nuremberg News, Wurzburg Cultural Award,  First prize- Skulpturen im Park 2008, City of Moerfelden-Walldorf. To the artist,it's important  that everything - from the idea to the finish sculpture - remains in his hand. "Only then can I take the still to its limits, respectfully accepting the realities of the technical and artisanal possibilities".

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CABIN

PIETRO RUFFO & MAURIZIO SAVINI

The artworks exhibition of Pietro Ruffo and Maurizio Savini opened the season of art at Icario winery in 2010. From his physical way of drawing reminiscent of the most illustrious Italian tradition, enabling him to examine with precision even aspects of the sensitive universe that are not immediately perceivable, Pietro Ruffo, an architecture graduate, tackles large-scale installations and videos, moving freely among various potential forms of expression. In Savini’s artworks, on the other hand, the idea of bizarre, surreal sculpture blends with social and political factors, especially in his spatial creations and installations. 

Maurizio Savini, wood, enamel and Corten steel 525x140x80 cm. The visitor is received by the sculpture situated outside, oversized and therefore without a functional reference of livability. The relationship between the work and the space, and the dialogue installed with the surrounding landscape guide the audience to the understanding of  this primary structure.

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ROTONDO

At the entrance of Icario Winery stands a powerful and symbolic sculpture, referred to as ROTONDO, which holds great significance for the Rothenberger family and their vision. Created by Christian Hack, this artwork is the first thing visitors encounter, embodying the values of the company as it welcomes guests with open rings that reach upward—a representation of cosmopolitanism and openness to cultures and technologies from around the world.

The narrowing rings symbolize a focused perspective, looking toward the future with innovation and progress in mind. The sculpture encapsulates the family's dedication to blending tradition with forward-thinking values, making it both a literal and metaphorical gateway to the winery. This inspiring piece not only captures the spirit of Icario Winery but also serves as a reminder of the Rothenberger family's continuous journey to embrace the future while honoring their heritage.

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LE VIE DEL CIELO

ELISEO MATTIACCI 

A protagonist of contemporary art, sculptor Eliseo Mattiacci, born in 1940, has been attracted by metals and by the spectacular process of welding since he was young. Critics consider Mattiacci'sartistic career  starting from the 1960s, when the artist was close to the international language of the Arte Povera and minimalism, arriving at the sculptures of the 1980s that were so light and sensitive that they could fit into any context, interacting with them. Mattiacci's artistic path is blended with episodes in his life and the historical events of his time: the supporting structure of the work in fact consists of an illustrated chronology offering readers numerous testimonies of the age, comprising photographs, texts, invitations, books and poetic declarations.
ForIcario, Mattiacci has devised an itinerary that ideally slopes upwards, seeking precisely those ‘possible worlds’ with a series of works that focuses on the relationship of man with the cosmos, territories like wine, business withart and territory. ‘Le Vie del cielo’ (1996), placed in the front garden of the winery, represents a  the earth itself crossed by two rails which lead the visitor to the interstellar and celestial space; ‘Corpo Celeste’ (2008, created for this exhibition), a mountain of metallic shavings in an inner  space that appears to be a model of the universe, or the universe before it began, during the original chaos;‘Fabbrica del Cosmo’ (2004-2008), a group of drawings which look like the ‘kitchen of the universe’, representing all the energies and forces that human imaginary places in the cosmos.

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AGATHOS

“Universo adimensionale”

Carlo Franzoso, a.k.aAgathos, is a mathematician and a painter renowned in both fields and, above all, a heretical thinker. Born in Salento, in Puglia, Agathos has chose Tuscany as his home. He has long been one of the most audacious personalities on the contemporary artistic- mathematical scene, to the point that some critics describe him as the head of the “New Mathematical Art” movement.In fact, in the Artistic court he is the founder of TransgeometricSpatialism (or Transgeometry), which seeks to put men near science again. Science has pushed away men that are the prime creators of it. Agathos, by means of Fuzzy Logic, finds out the 5th Dimension or Qualitative Dimension, namely the Human Dimension.

He realized for Icario a personal vision of the winery’s logo, the tailed horse, painted with mixed techniques.

 

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CELEBRATION

This beautiful painting "A Celebration of Wine and Territory", is a vibrant tribute to the deep connection between the Montepulciano landscape and its renowned wine. Created by a close friend of the owner, Dr. Helmut Rothenberger, the piece depicts a still life of grapes, fruits, cheeses, and a bottle of Icario wine, all set against an abstract, textured backdrop that mimics the rolling vineyards of the region. The bold colors and intricate details celebrate the harmony between nature and the craft of winemaking. The artist captures the essence of Montepulciano, where each bottle of wine tells the story of the land. This artwork embodies the passion and heritage that make Icario wines exceptional.

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FRANCO BONETTI

Franco Bonetti was born in Florence on June 29, 1958. After his move to Reggio Emilia he attended the Art Institute “D. Clerics” under the guidance of Vittorio Cavicchioni (design) and GrazianoPompili (Plastic Values). He continued his studies in Rieti with SilvanoSilvani and in 1979 he joined the Municipal Theatre of Reggio Emilia where he was able to work with different directors and set designers. Franco Bonetti is an outstanding painter and sculptor celebrated as an artist closely tied to the world of theater, known as a painter-decorator, costume and set designer. His original way of using a versatile material such as Plexiglas, places him among those rare artists who do not cease to question himself and that they have a real message to be transmitted. It’s a real storm of colors, contrasts andcombinations that turn up in front of his works.

For Icario winery, he realized some plexiglass installations which remind his work ‘Accenti e riflessi’, with the word Icario cut repeatdly on the material; the work ‘Prima della parola’, many pieces of plexiglass mixed and spread inside a circle,to represent the chaos of sounds and noises and the impossibility to communicate before the beginning of languages;a plastic tailed-horse (logo of the winery) as a bottle-holder.

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GABRIELE BASILICO

“Montepulciano site specific”

Born in Milan in 1944, Gabriele Basilico was an Italian photographer who defined himself as "a measurer of space". He originally studied to become an architect before starting his career in photography. His initial works focused on traditional landscape photography, but he later shifted his focus to architectural photography due to the influence of his previous studies in architecture. He achieved international fame in 1982 with his photographic report on the industrial areas of Milan, "Ritratti di Fabbriche, Sugarco".In the mid 1980s he was part of a group of photographers commissioned by the French Government to document the transformation of the Transalpine landscape, while in 1991 his photographs helped to document the effects of war on the Lebanese capital of Beirut with the work "Beirut 1991".He was awarded at the 1996 Venice Biennale. His last public work was showcased in December 2012, at the inauguration of a new square in Milan. He died in 2013.The majority of Basilico's work was done using a traditional viewfinder camera and black and white film.

Icario and the Town Council Administration were both committed to help Montepulciano promotion, develop its culture and environmental resources, create an interest in less explored field of art. In ‘Montepulciano site specific’, it is showed how the town is not simply the ‘cradle’ or the setting for works of art, but also the subject matter and protagonist. Basilico’s pictures portrait each corner, building, road, site of this beautiful hilltown, collecting them together in a well-structured event with  a perfect combination of art and architecture, representing also a new awareness of the surrounding environment to deliver to new generation.

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IL CANTO DELLA TERRA

Maurizio Savini's Il Canto della Terra (2010) is a striking work that combines enamel on panel with an unconventional medium—chewing gum. Measuring 120x200 cm, this artwork represents the meticulously organized rows of vineyards that ascend the rolling hills of Montepulciano. Through this piece, Savini captures the essence of the Tuscan landscape, emphasizing the profound and intrinsic connection between wine and the territory it originates from. The use of chewing gum as a material reflects Savini’s signature style, where the transient and malleable nature of the gum contrasts with the permanence of the land and its traditions.

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InVisib(i)le

Sabrina Haunsperg was born in 1980 in Hallein near Salzburg. From 2001 she studied at the Dusseldorf Art Academy with Helmut Federle, Siegfried Anzinger and Herbert Brandl. From 2008 she was a master student of Herbert Brandl. In 2009 she obtained the USA Scholarship of the DAAD, the Max Ernst Scholarship from the city of Brühl and the special prize of the Foundation VordembergeGildewart (Switzerland). Other achievements were the nomination for the Zurich Art Prize of the HausKonstruktiv in Zurich and the CC Andratx Mallorca Art-in-Residence Program in 2013. Since 2011 the artist has a teaching position at the Technical University of Dortmund. She lives and works in Dusseldorf.Works by this young artist are in national and international collections; in 2016 Icario hosted  “InVisib(i)le”.

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L-RAY

Pierluigi Calignano, born in Gallipoli in 1971, is an Italian artist who currently works and lives between Gallipoli and Milan. His work primarily focuses on the intersection between sculpture and installation, where he explores the dynamic interplay of form, space, and material. Pierluigi Calignano's sculptures, made of wood, iron, and lights, were featured in the 2008 exhibition Bateau Ivre, alongside the works of 15 other artists. This exhibition explored contemporary art through diverse media and was known for its dynamic interplay of different artistic forms. Calignano's installations often use light and spatial elements to create immersive experiences that challenge the viewer's perception, a recurring theme in his work.

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NYMPHEAS

Sara Goldschmied (1975) and Eleonora Chiari (1971) formed the duo Goldiechiari in 2001. Since 2014 they have worked under the name Goldschmied& Chiari in Milan, where they live. Under this acronym, they work with varied media; photography, video, performance and installation. They have achieved national and international recognition, working with institutions and museums. Theyparticipated in the third edition of The Nanjing International Art Festival, The Fear Society, a collateral event of the 53rd Venice Biennal (2009), the first edition of Dublin Contemporary, Dublin (2011) and the fifth edition of Video Zone International Video Art Biennial – Center for Contemporary Art, Tel Aviv (2010).
In 2015, their works were selected by the National Museum of Women in the Arts (NMWA) in Washington D.C. and by the Museo del Novecento in Milan for the exhibition Organic Matters – Women to Watch 2015, NMVA, Washington D.C. (2015). A number of recent works have been documented in their latest catalogue: Goldschmied& Chiari, Ladémocratieest illusion(2016)In 2011, Icario hosted the exhibition Nympheas; floating on the water like the famous portraits of Monet, in the artists’ thought they are change in simple plastic bags abandoned in a river stream – a hint to reflect on pollution topic.

 

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RACING LEGACY

This dynamic painting, "The Racing Legacy of Dr. Rothenberger" created by a close friend of Dr. Helmut Rothenberger, pays homage to his love of classic car racing. The centerpiece is the vintage car he raced in the iconic Peking to Paris rally, a demanding journey of endurance and adventure. The car, depicted with detailed precision, sits against a backdrop of abstract strokes symbolizing speed and motion. The number plate and racing elements evoke the thrill of competition and the spirit of exploration that drives both Rothenberger's pursuits on the race track and his passion for winemaking. This painting beautifully captures a unique aspect of Dr. Rothenberger's life and legacy, bridging his love for cars and the artistry of the vineyard.

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VINEYARD HARMONY

This vibrant painting, a gift from the artist Susanne Peiker, stands as a stunning tribute to both the Rothenberger family and their love for Icario wines. Peiker, a close friend of the family, chose to depict an abstract cluster of grapes in rich purples and golds, symbolizing the heart of winemaking: the vineyard. The swirling brushstrokes and shimmering hues evoke the lively energy and beauty of the grape-growing process, merging nature and creativity.

Hanging above the wine barrels in the Icario winery, this piece perfectly complements the rustic and refined atmosphere of the space, acting as a colorful reminder of the passion and artistry involved in winemaking. The bond between the Rothenberger family, their friendship with Peiker, and their shared love for fine wine is immortalized through this beautiful piece of art, making it not just a decoration, but a meaningful connection between friends, wine, and nature.

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NATURE'S EMBRACE

The stunning sculpture you see was a heartfelt gift to Dr. Helmut Rothenberger from a close friend to celebrate his 70th birthday. Designed to grace the terrace of Icario Winery, this unique piece warmly welcomes guests as they arrive, standing as a symbolic representation of hospitality, growth, and nature. Its flowing form, adorned with vines and delicate flowers, reflects the organic beauty of the surrounding landscape, seamlessly blending art and nature.

The sculpture not only enhances the aesthetic of the terrace but also represents the deep connections Dr. Rothenberger has cultivated—both with his friends and with the land of Montepulciano. As guests gather for wine tastings or simply to enjoy the breathtaking views, they are greeted by this symbol of life and friendship, perfectly embodying the spirit of Icario: a place where tradition, art, and relationships come together to create something truly special.

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